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Natural Science museum Houston opens up vault doors of exhibit

Johann Panchelbel's Canon in D and subdued lighting greet visitors who venture through the 2-foot-thick, reinforced steel doors of the Lester and Sue Smith Gem Vault at the Houston Museum of Natural Science.

The elegant ambience sets the mood for the opulent main attraction: gems of mind-boggling proportions. Safely encased in glass, they float magically against black backgrounds, glowing as if lighted from within.

The centerpiece is a 1,869-carat natural emerald crystal, the largest ever discovered in North America.

Houston Tiara  The tiara, designed and created by Houston jeweler Ernesto Moreira, contains a 42.4-carat center stone and pavé diamonds set in platinum. 

Photo Thomas R. DuBrock: Houston Museum of Natural Science

By EILEEN McCLELLAND Copyright 2006 found at Houston Chronicle Nov. 17, 2006, 1:16AM

The museum opens its new permanent gem exhibit today as a complement to its Cullen Hall Gem and Mineral collection.

While Cullen Hall showcases the raw materials, the Smith Gem Vault displays expertly cut, polished and mounted specimens gathered during a 10-year global treasure hunt directed by museum president Joel Bartsch and Lester and Sue Smith, museum board members and benefactors.

"We always had plans to do this," Lester Smith says. "Along the way we would pick up a loose piece here and a loose piece there."

platinum broochThe centerpiece of this platinum brooch is a 168-carat yellow sapphire set off by green and pavé diamonds

After the gems were cut and refined, Houston jewelry designer Ernesto Moreira set selected specimens in platinum surrounded by diamonds. Some are in period settings, such as 18th- and 19th-century Russian pins and dress buttons.

Others, too spectacular or gigantic to be jewelry, stand on their own. One knockout in this category is a 2,765-carat boulder opal from Australia. It gleams in the darkness like a lava lamp, throwing out flashes of red, yellow, green and blue.

Each gem has a story, Smith says, and the tale behind the boulder opal is as complex as the plot of the Treasure of the Sierra Madre. After three miners won and lost the opal in a series of poker games, it wound up locked in a vault for nearly 20 years, the focus of a legal dispute. When the gem was finally freed, Smith says, its owner was only too happy to unload it.

"A guy walked into the museum with it in a cardboard box, and we acquired it," Smith says.

Another featured gem, an aquamarine, was mined in 1938, hidden in a bank vault a year later in Nazi Germany and retrieved 66 years later by heirs who, Smith says, needed the money.

It's not that uncommon for owners of precious gems to waltz off the street and into the museum, bearing world-class treasures stuffed into plastic dry-cleaning bags, he says.

Other highlights include an emerald, platinum and diamond tiara; a blue star sapphire, diamond and platinum ring; and a golden sapphire brooch surrounded by green diamonds.

LESTER AND SUE SMITH GEM VAULT

Where: Houston Museum of Natural Science; 1 Hermann Circle

Admission: $9 adults; $6 children; free to members

Information: 713-639-4629 or www.hmns.org

-------------------------------------

What's your birthstone?

Garnet — January. Provides strength and protection.

AmethystFebruary. Spiritually uplifting, a strong antidote to drunkenness; encourages celibacy.

Aquamarine — March. Healing stone, used to treat anxiety and even seasickness.

Diamond — April. Linked to love, prosperity and generosity.

Emerald — May. Linked to abundance, peace and monogamy.

Pearl — June. Freedom from disease and grief.

Ruby — July. Thought to be capable of reconciling lovers' quarrels.

Peridot — August. Protection against evil and terrors in the night (when set in gold).

SapphireSeptember. Linked to intuition.

Opal — October. Good luck in some cultures, bad luck in others.

Yellow sapphire — November. Power to make its wearer invisible (ancient Greeks), improves eyesight.

TanzaniteDecember. Hone psychic powers.

Source: Houston Museum of Natural Science; 

jewelry mall & gem stone 

99 carats Houston natural science museumA 99-carat center stone is surrounded by another 50 carats of garnets in shades ranging from deep red to bright orange, all set in 22-karat yellow gold. 

Bartsch says one goal of the exhibit is to transcend the popular perception of gems as only diamonds, rubies, sapphires and emeralds, and include rarer stones such as morganite, tsavorite, amethyst, garnet and aquamarine.

"In reality diamonds are fairly common," Bartsch says. "Truly rare and important gemstones are far more elusive."

Another goal is to rival the collections of the Crown Jewels of England and the Smithsonian Institution in Washington, D.C., home of the Hope Diamond.

Joan Rivers borrowed Moreira's Tahitian pearl necklace to wear at the Emmy Awards before it was installed in its glass case at the museum.

"For a jeweler my age, especially, this is beyond a dream," Moreira, 36, says. "It is quite a treat for any jeweler to put his hands on these gems. They are out of the ordinary and an inspiration in themselves."

Smith says Moreira, owner of Ernesto Moreira Couture Jewelry, often starts with a quick sketch on a napkin or the back of an envelope.

That's just the beginning.

Moreira says he then lives with each stone for a few weeks as he begins to envision the ideal setting. "Then the right thing comes out," he says.

Most stones are designed with individual hinges within the setting. The jeweler uses this technique to create real movement in his pieces as well as the perceived movement inherent in his circular, feminine designs. "They are inspired by women and made for women," Moreira says.

Each piece is finished in the back, to be beautiful from all angles. Filigree settings sometimes can be seen through the stone, creating a stained-glass effect.

The vault would be pitch black if not for the illumination on each piece. As a result, it looks like the sparkling gems are lighting up the room.

Sue Smith, an interior designer who worked with Moreira, says that among her favorite pieces in the collection is a necklace with more than 150 carats of garnets and more than 3 carats of Russian-cut diamonds set in 22-carat yellow gold. The garnets graduate in color from red to orange to yellow around the 99-carat center stone.

Although garnet is often referred to as a semiprecious stone, there is nothing semi about this precious work of art.

"His work is extraordinary," Sue Smith says.

Eileen Mcclelland

Museum of Natural Science head is a rock-star dreamer

The mineral, pyrite, is known for its gleaming crystals that usually appear as cubes. Their metallic luster can be as bright as the glint of a mirror.

"When I was 9 years old, someone showed me a pyrite crystal," Bartsch said. "Knowing that this object was found in nature literally changed my view of the world."

By the time he was 10, Bartsch was so enamored of earth sciences, he had decided he wanted to be president of the Houston Museum of Natural Science. His brother scoffed, "You think someone's going to pay you to collect rocks?"

As it happened, someone did. In 1991 Bartsch became curator of the HMNS Cullen Hall of Gems and Minerals. In 2004, he was named museum president.

Lester Smith, museum benefactor and board member, said his early infatuation with rocks paralleled Bartsch's. "I was like most kids — drawn to rocks because of their size, color and texture," Smith said. "As an adult, I continue to marvel at the pure beauty found in nature."

Smith and Bartsch met at a rock and mineral show in Houston more than a decade ago.

"He helped me start my first real major collection and eventually asked if I was interested in being a trustee of the museum," Smith said.

Smith joined the board and became chairman of the gem and mineral committee.

The vault is meant to be a beacon to future Joel Bartsches, Smith said.

"As a parent and grandparent, I see it as a tool to create the next generation of rock collectors and scientists," Smith said.   

 
 

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